Jasper Johns, detail from Regrets (2014).

The Enigma Machine, Jasper Johns

Art in Print covers from Volume 1 and 2.

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Edward Bawden, detail from Sunday Evening (1949).

Charm, the Great English Blight: Edward Bawden in 1949

Vincent van Gogh, detail from La Berceuse (Woman Rocking a Cradle; Augustine-Alix Pellicot Roulin, 1851–1930) (1889).

Cézanne and Wallpaper: “Backgrounds As Imaginary As They Are Real”

Stagecraft: Designers, Artists and the Theater of Print in a Digital World

“Person holding poster” has become an online paradigm and cliché—a way to demonstrate genuine physical presence, and by extension, to convey some property of authenticity. Jason Urban considers what this says about what we seek in printed images.

The Books of Others: Arturo Herrera’s Berlin Books Project

Best known for his intricate collages, Arturo Herrera has scoured Berlin flea markets for year. In his Books project, he has altered all the surfaces of found books with screenprinted patterns, remaking them as visual (and intermittently legible) works of art.

Chiaroscuro Woodcut: Baselitz Divided

Georg Baselitz began collecting chiaroscuro woodcuts in 1965 and soon after began adapting the technique to his own work. Two recent exhibitions catalog this relationship.

The Forgotten History of a Medium

Though ubiquitous in today’s world, screenprint has never been the subject of serious historical study. Stephen Goddard reviews Guido Lengwiler’s detailed account of the medium in the first half of the 20th century.