Detail from service feature with printed sample in Selectasine handbook, 1926. Serico-Eich archives.

The Forgotten History of a Medium

Arturo Herrera, detail from Robert Schumann–De La Luzidez A La Locura, Von Andres Ruiz Tarazona, 1975, Real Musical, S.A., Madrid from Books (2012).

The Books of Others: Arturo Herrera’s Berlin Books Project

Philippe Apeloig, detail from Le Havre, Patrimoine mondial de l’humanité (2006).

Type and Transcendence: Philippe Apeloig

Screen capture of the archive page for the “People Holding Posters” Tumblr blog by Nate Gagnon.

Stagecraft: Designers, Artists and the Theater of Print in a Digital World

Ryan McGinness: Fluorescent Body Parts

Ryan McGinness’ recent screenprints mix anatomic ideograms and jewel-like colors to dazzling effect.

This review appears in the July-August issue of Art in Print (Vol.4, No.2).

Hartt, Cordova, Barrow: Three From Threewalls

Chicago-based Threewalls joins art organizations across the country in adapting the local food movement to culture. This portfolio manifests one such tactic.

This review appears in the July-August issue of Art in Print (Vol.4, No.2).

Shadow Journeys

Strange things happen in the dark and quiet mises-en-scènes of the Swiss etcher Peter Bräuninger. The recent retrospective and catalogue provide an overview of the artist’s wry investigations of desire and perception.

This review appears in the July-August issue of Art in Print (Vol.4, No.2).

Jane Kent: Blue Nose and Pink Eye

Jane Kent’s recent screenprints use from layer upon layer of trasnlucent color to build immaterial but curiously convincing structures.