Art in Print covers from Volume 1 and 2.

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Coenraet Decker, detail from Matsya (1672).

Engraving India in 17th- and 18th-century Europe

David Hockney, detail from Afternoon Swimming (1980).

The Rake’s Progress

Leonardo Parasole (after Antonio Tempesta), detail from The Visitation from the interlinear version of the Evangelium (1591).

Gospel Lessons: Arabic Printing at the Tipografia Medicea Orientale

Lingen, Melby, Miller

At Planthouse, which took root a year ago in a vacant flower shop in New York City, a recent exhibition celebrated the contribution of three New York-based master printers: Ruth Lingen, Jennifer Melby and Leslie Miller.

This review appears in the November-December issue of Art in Print (Vol.4, No.4).

Past Partisans

A recent exhibition at the Block Museum showcased works created by artists involved in the American Communist Party’s John Reed Clubs during the Great Depression, providing documentation of a vital decade during which artists saw themselves as international beings, printing locally for the global good.

This review appears in the November-December issue of Art in Print (Vol.4, No.4).

Ruscha’s Course of Empire

Ed Ruscha is one of a handful of postwar artists for whom the printed image (photographs, books, portfolios and wall-mounted editions) has been as important as any of his work in monumental mediums. A summer exhibition curated by Robert Monk at Gagosian’s Madison Avenue space sampled 139 prints and photographs—many in groups and series—from 1959 to the present.

Prix de Print No. 8: Cartier Window by Stella Ebner

In Stella Ebner’s Cartier Window (2014), selected by Faye Hirsch, the New York window of a French company shows Asian leopards and African diamonds, framed in the Nordic pagan fir boughs we use to mark a Christian holiday.