Jasper Johns, detail from Regrets (2014).
Vincent van Gogh, detail from La Berceuse (Woman Rocking a Cradle; Augustine-Alix Pellicot Roulin, 1851–1930) (1889).
Art in Print covers from Volume 1 and 2.
Barthélemy Roger, after Pierre-Paul Prud’hon, detail from L’Amour séduit l’Innocence (Innocence Seduced by Love) (Salon of 1812).
Owen Duffy reviews Louise Lawler’s wall-conquering vector traced photographs of famous art in private settings.
Though ubiquitous in today’s world, screenprint has never been the subject of serious historical study. Stephen Goddard reviews Guido Lengwiler’s detailed account of the medium in the first half of the 20th century.
“Person holding poster” has become an online paradigm and cliché—a way to demonstrate genuine physical presence, and by extension, to convey some property of authenticity. Jason Urban considers what this says about what we seek in printed images.