Edward Bawden, detail from Sunday Evening (1949).

Charm, the Great English Blight: Edward Bawden in 1949

Art in Print covers from Volume 1 and 2.

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Jasper Johns, detail from Regrets (2014).

The Enigma Machine, Jasper Johns

Vincent van Gogh, detail from La Berceuse (Woman Rocking a Cradle; Augustine-Alix Pellicot Roulin, 1851–1930) (1889).

Cézanne and Wallpaper: “Backgrounds As Imaginary As They Are Real”

Chiaroscuro Woodcut: Baselitz Divided

Georg Baselitz began collecting chiaroscuro woodcuts in 1965 and soon after began adapting the technique to his own work. Two recent exhibitions catalog this relationship.

Prix de Print No. 7: A Television ‘Tronie’ by Brian Cohen

Guest juror and curator/consultant Nigel Frank celebrates Brian Cohen’s portrait of Walter White, Breaking Bad’s meth-dealing homebody.

Feininger Prints

In 1918 Lyonel Feininger discovered woodcut, producing more than 200 images in the space of three years. When he fled Nazi Germany many of these prints remained with a friend in what later became East Germany, and were only recently made public.

This review appears in the September-October issue of Art in Print (Vol.4, No.3).

Vector Analysis

Owen Duffy reviews Louise Lawler’s wall-conquering vector traced photographs of famous art in private settings.