Jasper Johns, detail from Regrets (2014).

The Enigma Machine, Jasper Johns

Art in Print covers from Volume 1 and 2.

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Vincent van Gogh, detail from La Berceuse (Woman Rocking a Cradle; Augustine-Alix Pellicot Roulin, 1851–1930) (1889).

Cézanne and Wallpaper: “Backgrounds As Imaginary As They Are Real”

Detail from packaging for Harry Gordon’s Poster Dresses (1968). Photo: Panos Davios. ©Atopos cvc collection, Athens.

‘Fragile,’ ‘Souper’ and POP! The Atopos Paper Fashion Collection

Prix de Print No. 7: A Television ‘Tronie’ by Brian Cohen

Guest juror and curator/consultant Nigel Frank celebrates Brian Cohen’s portrait of Walter White, Breaking Bad’s meth-dealing homebody.

Beyond Tamarind

June Wayne is famous as the founder of Tamarind Lithography Studios, but her own art is not well-known.

This review appears in the September-October issue of Art in Print (Vol.4, No.3).

Feininger Prints

In 1918 Lyonel Feininger discovered woodcut, producing more than 200 images in the space of three years. When he fled Nazi Germany many of these prints remained with a friend in what later became East Germany, and were only recently made public.

This review appears in the September-October issue of Art in Print (Vol.4, No.3).

Vector Analysis

Owen Duffy reviews Louise Lawler’s wall-conquering vector traced photographs of famous art in private settings.